Understanding Bach 3 (2008) contents

ISSN 1750-3078

Editorial (full text)
RUTH TATLOW

Bach: Forerunner of the Future through Exploration of the Potential of Learned and Natural Schemata (full text)
DALIA COHEN

‘His superior ideas are the consequences of those inferior ones’: Influence and Independence in Bach's Early Creative Development (full text)
RICHARD D. P. JONES                                            

An Early English Imprint of the ’Crucifixus’ of the B minor Mass (BWV 232^II/5) (full text)
ROBIN A. LEAVER  

The Musician-Novels of the German Baroque: New Light on Bach's world (full text)
STEPHEN ROSE

The Weimar Organ Tablature: Bach’s Earliest Autographs (full text)
PETER WOLLNY and MICHAEL MAUL

Report on the Third Johann Sebastian Bach Dialogue Meeting (full text)

YOUNG SCHOLARS’ FORUM 2008

Responding to Notation: Interpreting Dynamic Markings in the Instrumental Music of C.P.E. Bach
(full text)
RACHEL BALDOCK

New Perspectives on the Canons of Johann Sebastian Bach (full text)
ELISE CREAN

The Keyboard Copyists of Fux’s Circle with particular emphasis on Gottlieb Muffat (full text)
ALISON DUNLOP

The Application of Forensic Document Examination Techniques to the Writings of J.S. Bach and A.M. Bach (full text) 
MARTIN W. B. JARVIS

Trailing the Sources: A Pursuit of a Europe-wide Picture of Bach Reception in the Eighteenth and early Nineteenth Centuries (full text)
TANJA KOVAČEVIĆ

The ’Lost’ Eighteen: Breitkopf, Mendelssohn and the Nineteenth-century Re-emergence of Bach’s 15 Grands Preludes on Corales (full text)
IAN MILLS

Eighteenth-century Coffee-House Culture: A New Context for Bach’s Music? (full text)
BURKHARD SCHWALBACH